Fidest – Agenzia giornalistica/press agency

Quotidiano di informazione – Anno 32 n° 289

300 works by over 150 artists from this collection

Posted by fidest press agency su martedì, 21 aprile 2009

compassNew York until 27/7/09 The Museum of Modern Art – MoMa 11 West 53 Street.  The Museum of Modern Art presents Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, an exhibition that features 300 works by over 150 artists from this collection. This exhibition, the largest drawings exhibition ever mounted at MoMA, features selections from the donation of approximately 2,500 works on paper by more than 650 artists that entered the Museum’s collection in 2005. The exhibition surveys the collection for the first time and shows the various methods and materials within the styles of gestural and geometric abstraction, representation and figuration, and systems-based and conceptual drawings. Brought together are historical works by Lee Bontecou and Joseph Beuys, Minimalist and Conceptual works by Dan Flavin, Donald Judd, and Hanne Darboven, detailed narrative drawings by Elizabeth Peyton and John Currin, collages by Amelie von Wulffen, Mona Hatoum, and Lucy McKenzie and Paulina Olowska, and large-scale installations by Nate Lowman and Ján Mančuška. Compass in Hand is organized by Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator of Drawings, with Connie Butler, The Robert Lehman Foundation Chief Curator of Drawings, The Museum of Modern Art. It will be on view in the Museum’s second floor Contemporary Galleries from April 22 to July 27, 2009. This exhibition, one of a series highlighting the Museum’s contemporary collection, is made possible by The Bank of New York Mellon. The incorporation of appropriated materials into drawings has also significantly expanded the medium’s spatial boundaries, resulting in installation arrangements of works on paper, as in Nate Lowman’s (American, b. 1979) Untitled (History of the SUV – No Blond Jokes) (2003). The work fills a wall with modified images and text from articles about Lizzie Grubman, a New York publicist and socialite who drove her car into a crowd outside a nightclub on Long Island in 2001. With this collection of poster-sized news clippings, some pinned to the wall and others laminated on foam core, Lowman pushes the definition of drawing well into the sphere of sculpture and installation. The exhibition also features an impressive selection of works by Isa Genzken, Richard Hawkins, Martin Kippenberger, Jeff Koons, Sherrie Levine, Paul McCarthy, Cady Noland, Marcel Odenbach, Jack Pierson, Franz West, and David Wojnarowicz-artists who are seen as predecessors for this recent generation of artists working in collage and assemblage, many of whom were active in the late 1970s and 1980s. Collage and assemblage have not entirely supplanted the more traditional forms of drawing, but they have expanded the perception of what a drawing can be, dramatically altering the notion of mark making and image making, of autographic and ideational procedures. (photo compass)


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