Fidest – Agenzia giornalistica/press agency

Quotidiano di informazione – Anno 32 n° 250

Tullio Lombardo An Antiquity of Imagination

Posted by fidest press agency su lunedì, 6 luglio 2009

imaginationWashington until 1/11/2009 National Gallery of Art  4th Street and Constitution Avenue curated by Alison Luchs  In the first exhibition dedicated to Venetian Renaissance sculptor Tullio Lombardo (c. 1455-1532), his romantic approach to portraiture is revealed in four of his greatest marble carvings, which are joined by eight related works from his closest circle. On view at the National Gallery of Art’s Italian galleries in the West Building from July 4 through November 1, 2009, An Antiquity of Imagination: Tullio Lombardo and Venetian High Renaissance Sculpture celebrates the artist’s pioneering talent.  The exhibition is sponsored by The Exhibition Circle of the National Gallery of Art. A fully illustrated exhibition catalogue includes scholarly essays by Luchs; Adriana Augusti, director of the Galleria Giorgio Franchetti alla Ca’ d’Oro, Venice; Matteo Ceriana, deputy director of the Pinacoteca di Brera, Milan; Sarah Blake McHam, professor of art history at Rutgers University; Debra Pincus, independent scholar; and Alessandra Sarchi, research project manager at the Fondazione Federico Zeri, Università di Bologna. Published with Yale University Press, the catalogue is 160 pages with 62 color and 23 black-and-white illustrations and will be available in July 2009 from the Gallery Shops for $60 (hardcover).
Tullio and his younger brother Antonio, both gifted sculptors, worked with their father Pietro Lombardo in the family firm, a leading force in architecture and sculpture in Venice well into the 16th century. While traditional demand for sculpture in Renaissance Venice centered on projects for churches, public monuments, and architectural decoration, Tullio created new forms of private art.  The exhibition presents other close-up bust-length images, in relief and in the round, that display Tullio’s sensuous and expressive qualities. They include his own soulful, curly haired Relief Bust of a Youth (c.1505) as well as Simone Bianco’s Bust of a Woman (c.1515/1520), in a pleated gown that falls suggestively open, and Antonio Minello’s Grieving Heroine (1520s), a delicate miniature bust with elaborately bound and loosened hair winding over her bare shoulders.  (imagination)


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